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        <title>deviantART: by:pathworking</title>
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        <pubDate>Thu, 17 Dec 2009 21:58:26 PST</pubDate>        
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                  <item>
                <title>Ecophenomenology</title>
                <link>http://pathworking.deviantart.com/journal/28779276/</link>
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                <pubDate>Sun, 06 Dec 2009 03:42:52 PST</pubDate>
                
                <description><![CDATA[ Ecophenomenology or ecological phenomenology calls for originative thinking and an openness to the "laying bare [of] ... essential elements of human experience with the world".[1] It calls "to enter, ever more deeply, into the sensorial present",[2] and to "recover the moral sense of our humanity" by "recover[ing] first the moral sense of nature".[3]. It is also a call to "challenge the astonishing assumption that only utility to industrialized society can justify the existence of anything on the planet",[4], and an invocation to adopt "a kind of deliberate naivety through which it is possible to encounter a world unencumbered with presuppositions."[5]<br /><br /><a href="http://www.deviantart.com/users/outgoing?http://en.wikipedia.org/wiki/Ecophenomenology">[link]</a><br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>Excerpt from an interview with Andy Goldsworthy</title>
                <link>http://pathworking.deviantart.com/journal/28773351/</link>
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                <pubDate>Sat, 05 Dec 2009 19:04:23 PST</pubDate>
                
                <description><![CDATA[ When I began working outside, I had to establish instincts and feelings for Nature: some I never had, while others I had not used since childhood. I needed a physical link before a personal approach and relationship could be formed. I splashed in water, covered myself in mud, went barefoot and woke with the dawn.<br /><br />I have become aware of how nature is in a state of change and how that change is the key to understanding. I want my art to be sensitive and alert to changes in material, season and weather.<br /><br />A rock is not independent of its surroundings. The way it sits tells how it came to be there. The energy and space around a rock are as important as the energy and space within. The weather - rain, sun, snow, hail, mist, calm - is that external space made visible. When I touch a rock, I am touching and working the space around it. In an effort to understand why that rock is there and where it is going, I do not take it away from the area in which I found it.<br /><br /><a href="http://www.deviantart.com/users/outgoing?http://www.goldsworthy.cc.gla.ac.uk/extracts/">[link]</a><br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>Hearing with the Heart and Silence</title>
                <link>http://pathworking.deviantart.com/journal/28752964/</link>
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                <pubDate>Fri, 04 Dec 2009 18:56:16 PST</pubDate>
                
                <description><![CDATA[ To end this paper I want to retell a story Dr. Lynch includes in A Cry Unheard about one of his heart patients. At 64 years of age, Dr. Lever had been reciting the central Jewish prayer Â "Shema YÂIsrael, Adonai Elohenu, Adonai Ehad Â Hear Oh Israel, The Lord Our G-d, The Lord Is One" Â all of his life by rote. After much personal suffering of his own Â bypass surgery (seven coronary arteries) and three heart attacks, Dr. Lever says he has finally come to hear and understand the words and their meaning for his life.<br /><br />ÂHear Oh IsraelÂ he repeatsÂ.ÂHarmony Â harmony with self, harmony with others, most importantly, harmony with those you love, as well as harmony with Nature.Â That, as he sees it, is the essence of the therapy, but, he adds, the therapy requires Â above all else Â the ability to hear.<br /><br />ÂFor most of my life, I was deaf Â partially deaf to those who were close to me, deaf to the power of my own words, and certainly deaf to what my own heart was trying to tell me. Even though I had heard and intoned the prayer Shema YÂIsrael ten thousand times, I had never heard the essence of that message. Hear Oh Israel. I have learned in this therapy that what I say Â the words I speak to others, the words I pray Â and what I hear, and what I do not hear, are intimately connected to my heart. The blood pressure and heart rate technology you use during the sessions is simply a teaching aid, a marvelous teaching aid, but nonetheless just a tool.Â<br /><br />Then, smiling broadly again, he continues, ÂBut in order to hear, you must first be ready to hearÂAnd then you are ready to begin the journey, ready to change from a fight/flight approach to life, to one that is far more accepting, far more willing to reach out and to hear oneÂs fellow man.Â<br /><br />excerpt from: <a href="http://www.deviantart.com/users/outgoing?http://resonanceproject.org/concept3.cfm?pt=2">[link]</a><br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>A Super-Natural Manifesto</title>
                <link>http://pathworking.deviantart.com/journal/28722280/</link>
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                <pubDate>Thu, 03 Dec 2009 04:16:11 PST</pubDate>
                
                <description><![CDATA[ The proposed Beginnings of a:<br />Super-Natural Manifesto<br />Musings by Alexander Dunton, and Collaborating With Significant Others<br /><br /><br />Let us begin a new language. A Language that challenges its own limits.<br /><br />As humanity evolves and awakens to our inter-connectiveness  with the myriad of other life-forms surrounding us, we search to heighten and strengthen our connection to our environment and our experience of life. Through the exploration of our immediate surroundings through walking, standing, and observing meditations, we welcome an attuned awareness which grounds us in the immediacy of the moment. To this, i mean consciously and willfully slowing one's awareness down to amplify our appreciation of that which has been overlooked. Our awareness is honed to give ÂattentionÂ to the subtle, reverence to the special and respect to the ephemeral.  The more this meditation is practiced, the more moments of unity and presence in our surroundings world are experienced. This practice of ÂwalkaboutÂ or ÂwanderingÂ   is a meditation of slowness and sensation where we more fully engage with the Âdetailed cracks in the pavementÂ rather than a specified destination.<br /><br />Entheogenically, it is the quest of the psychonaut to experience HuxleyÂs  Âcleansing of the Âgates of oneÂs perceptionÂ. Mystically, it is the reverential  marriage of oneself with the spirit of gods unity.  Shamanically, it is a practical endeavour of connection and interaction within the spirit worlds of subtle aethers. Rationally, it is the premise that we are all biological creatures sharing the same importance as all other life-forms on this planet. And artisticallyÂ<br /><br />ÂThe archetypal fairytale of the young child wandering into the woods is of special significance here; it symbolizes part of this artistic process of entering the wilderness of nature and being completely absorbed in the beautiful and the terrifying  mystery of this new world. It is a fantastic and awful place to experience; hence it is full of awe. Soon after this immersion however, the little child suddenly realizes that he or she is lost. In our context, this part of the journey symbolizes the ÂmindÂ or chaotic severance from our connection with the ÂsuperÂ-natural world. It might be fear or it might be banal mental chatter. It is the movement in our thoughts from the simple, explorative and receptive, to the consumed mental worry and reflections and daydreams which Âshut downÂ the natural gentlenessÂA person in this state is likely to trample the snail or walk through its web, snapping the spiders threads.  <br /><br />But we are not lost in the woods. We know the woods endÂSo here is our difference.  We are Artists, so we can ÂchooseÂ to get lost in the woods; even if it be just a short weedy laneway Â it is nature. If we contemplate momentarily upon the reality of a ÂcosmÂ, we are but once expression. To an ant the laneway could be an endless vista of gullys and rises and jungles and seas. And so now when we consider the laneway that presents itself, we can reorient our senses to give less dominance to the mundane predictability of the pre-determined route with destination in mindÂ.and move with a much more sensual experience of the process and of the journey. This can be applied not only to walks but to all arts practices and beyond. <br /><br />It is through the desire to share and grow that makes a manifesto truly anything and I am curious as to how our artistic practice can interact more deeply to explore this universal commonality, together. Can a new language be discovered through awakening a reverential connection with nature? Can Inter-Dimensional communication between plants and flowers and animals and stones and clouds and rivers be possible? What is the significance of seemingly random arrangements of fallen dry leaves? Is there a sequential order to the sparkles on the oceanÂs surface at dusk? And what does that Binary rhythm speak to you? Through experiencing the same connection and reverence,  can we help elevate human mindfulness through this practice?<br /><br />Please look into these sites to help you further the varying influences which are inspiring this un-ended and formative journey:<br /><br /><a href="http://www.deviantart.com/users/outgoing?http://www.asemic.net/">[link]</a><br /><br /><a href="http://www.deviantart.com/users/outgoing?http://www.wildethics.org/">[link]</a><br /><br /><a href="http://www.deviantart.com/users/outgoing?http://books.google.com.au/books?id=jQelDAgr63oC&dq=Wabi-Sabi+for+Artists,+Designers,+Poets+%26+Philosophers.+By+Leonard+Koren&amp">[link]</a><img src="http://e.deviantart.net/emoticons/w/winkrazz.gif" width="15" height="15" alt=";p" title="Wink/Razz" />rintsec=frontcover&source=bl&ots=lyGbS8BeyX&sig=HoPBphjzeDA28AdCXaYxj7ujpBQ&hl=en&ei<img src="http://e.deviantart.net/emoticons/r/razz.gif" width="15" height="15" alt="=p" title="=p (Razz)" />aoXS-mRC... ]]></description>
                <author>*pathworking</author>
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                <title>hozho</title>
                <link>http://pathworking.deviantart.com/journal/28644269/</link>
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                <pubDate>Sun, 29 Nov 2009 05:52:41 PST</pubDate>
                
                <description><![CDATA[ 'It is through the ritual power of speech and song that the Navajo are enabled most powerfully to affect and alter events in the enveloping cosmos. According to Gary Witherspoon, in his landmark study of 'Language and Art in the Navajo Universe', the Navajo consider the act of speech to be an externalization of thought, "an impositions of form upon the external world" in which the surrounding Air is transformed". And because the Air or Wind is the very medium in which the other natural forces live and act, by transforming the Air through song, the singer is able to affect and subtly influence the activity of the great natural powers themselves.<br />When a Navajo person wishes to renew or reestablish, in the world, the harmonious condition of well being and beauty expressed by the Navajo word 'Hozho' he must first strive, thorough ritual, to create this harmony and peacefulness within his own being. Having established such 'hozho' within himself, he can then actively impart this state of well-being to the enveloping cosmos, through the transforming power of song or prayer. Finally, according to Witherspoon, "after a person has projected 'hozho' in the air through ritual form, he then, at the conclusion of the ritual, breathes that 'hozho' back into himself and makes himself a part of the order, harmony, and beauty he has projected into the world though through the ritual mediums of speech and song".<br /><br />'The Spell of the Sensuous' by David Abram pg. 236<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>what are we doing?</title>
                <link>http://pathworking.deviantart.com/journal/28479232/</link>
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                <pubDate>Fri, 20 Nov 2009 23:40:45 PST</pubDate>
                
                <description><![CDATA[ Afghan Hound-Rottweiler = Rottaf<br />American Bull Dog-Boxer = Bulloxer<br />American Pit Bull Terrier-Bulldog = Old English Bulldogge<br />American Rat Terrier-Boston Terrier = Brat<br />Australian Shepherd-Labrador Retriever = Sheprador<br />Australian Shepherd-Poodle = Aussie-Poo<br />Australian Terrier-Jack Russell Terrier = Rustralian Terrier<br />Basset-Beagle = Bagle Hound<br />Basset-Boston Terrier = Basston<br />Basset-Dachshund = Basschshund<br />Basset-Miniature Schnauzer = Bowzer<br />Beagle-Cocker Spaniel = Bocker<br />Beagle-Dachshund = Doxle<br />Beagle-Golden Retriever = Beago<br />Beagle-Labrador Retriever  = Labbe<br />Bichon Frise-Chihuahua = Chi-Chon  <br />Bichon Frise-Cocker Spaniel  = Cock-A-Chon  <br />Bichon Frise-Japanese Chin =  Ja-Chon<br />Bichon Frise-Lhasa Apso =  La-Chon  <br />Bichon Frise-Poodle  =  Poochon<br />Border Collie-Labrador Retriever = Borador<br />Boston Terrier-Chinese Shar-Pei = Sharbo<br />Boxer-Bulldog = Bull Boxer<br />Bulldog-Dalmatian =  Bullmatian<br />Bulldog-Pug = Miniature Bulldog<br />Cairn Terrier-Yorkshire Terrier = Corkie<br />Cavalier King Charles-Cocker Spaniel = Cockalier<br />Cavalier King Charles-Poodle = Cavapoo<br />Chihuahua-Dalmation =  Chimation<br />Chihuahua-Poodle =  Wapoo<br />Chinese Crested-Poodle = Poochis<br />Cocker Spaniel-Golden Retriever = Cogol<br />Cocker Spaniel-MinPinscher = Cockapin<br />Cocker Spaniel-Poodle = Cock-A-Poo<br />Collie-Poodle = Cadoodle<br />Dachshund-Poodle = Doodle<br />Dalmatian-Golden Retriever = Goldmation<br />Dobermann &#150<img src="http://e.deviantart.net/emoticons/w/winkrazz.gif" width="15" height="15" alt=";P" title="Wink/Razz" />oodle = Doodleman Pinscher<br />German Shepherd -Poodle =  Shepadoodle<br />Giant Schnauzer-Poodle = Giant Schnoodle<br />Golden Retriever-Poodle = Goldendoodle<br />Golden Retriever-Siberian Husky = Goberian<br />Golden Retriever-Weimaraner = Goldmaraner<br />Jack Russell Terrier-Poodle = Jack-A-Poo<br />Japanese Chin-Poodle = Poochin<br />Labrador Retriever-Poodle = Labradoodle<br />MinSchnauzer-Poodle = Schnoodle<br />MinSchnauzer-Yorkie = Snorkie  <br />Papillon-Poodle = Papi-Poo<br />Poodle-Saint Bernard = Saint Berdoodle<br />Poodle-Scottish Terrier = Scoodle<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>present</title>
                <link>http://pathworking.deviantart.com/journal/28470909/</link>
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                <pubDate>Fri, 20 Nov 2009 15:15:20 PST</pubDate>
                
                <description><![CDATA[ 'I remain standing on this hill under the rippled clouds, my skin tingling with sensations. The expansiveness of the present holds my body enthralled. My animal senses are all awake - my ears attuned to a multiplicity of minute sounds, the tiny hairs on my face registering every lull and shift in the breeze. I am embedded in this open moment, my muscles stretching and bending with the grass. This present seems endless, inexhaustible.<br />What, then, has become of the past and the future?'<br /><br />'The Spell of the Sensuous' by David Abram pg.206<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>lets try an experiment...</title>
                <link>http://pathworking.deviantart.com/journal/28336884/</link>
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                <pubDate>Fri, 13 Nov 2009 16:40:13 PST</pubDate>
                
                <description><![CDATA[ Lets try an experiment...<br />It seems to me, that the collection of fave's is a double sided sword.<br />Positively, it gives us the opportunity to feast ourselves upon a limiltess<br />bounty of ever changing deviations from all across the world. We can grab and<br />collect and consume and move on...<br /> <br />Whatever happened however to the reverential adoration of the 'one' piece of art.<br />One piece that, no matter how many times you look into it, offers more.<br />A piece that enchants and delights and challenges and leaves the viewer to so <br />much speculation, adoration, and contemplation. <br />Do these pieces exist anymore?<br /><br />In my way of thinking, of course these pieces exist!<br />What has changed however, is our attitude towards them.<br />Perhaps the world is speeding up, and perhaps the frantic need to accumulate<br />is serving some unknown purpose. <br />Who knows.<br /><br />What i do know however, is that we are immensely powerful human beings <br />who are akin to sleeping giants. Familiarity and &#039<img src="http://e.deviantart.net/emoticons/w/winkrazz.gif" width="15" height="15" alt=";p" title="Wink/Razz" />opular' modes of communication<br />ie. emoticon happy faces and  expressions such as 'thanks for the fave' <br />have now become meaningless.<br /><br />What i propose is this...<br />Choose one piece of art that you believe has depth and resonance.<br />Favourite it, and comment on it every day for a week.<br />Really contemplate it...and explore it like its the great work of <br />one of the Masters in the National Mueseum.<br /><br />Believe in the work, and offer the art real time.<br />And even if its not worthy of such attention,<br />recognize that you have pushed the <br />envelope just a little...<br /><br />Are you up for the challenge?<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>We are what we think.</title>
                <link>http://pathworking.deviantart.com/journal/28204374/</link>
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                <pubDate>Sat, 07 Nov 2009 18:35:52 PST</pubDate>
                
                <description><![CDATA[ ÂWe are what we think. All that we are arises with our thoughts. With our thoughts we make the world.  If the mind is clear, what ever we do or say the mind will bring happiness that will follow you like your shadow.<br />We are what we think. All that we are arises with our thoughts. With our thoughts we make the world.  If the mind is polluted, what ever we do or say leads to suffering which will follow you as a cart trails a horse.Â<br /><br />the first two verses from The Tibetan Dhammapada:<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>Asemic Writing</title>
                <link>http://pathworking.deviantart.com/journal/28188686/</link>
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                <pubDate>Fri, 06 Nov 2009 22:31:10 PST</pubDate>
                
                <description><![CDATA[ Thankyou Tim for sharing the inexpressible....<br />I feel contemplation of Asemia is important for everyone.<br />Similarily to wabi-sabi, the asemic spirit walks with me in my journies.<br />from:<a href="http://www.deviantart.com/users/outgoing?http://www.asemic.net/">[link]</a><br /><br /><br />It looks like writing, but we can't quite read it.<br /><br />I call works like this "asemic writing".<br /><br />Asemic writing seems to be a gigantic, unexplored territory.<br /><br />Asemic writing has been made by poets, writers, painters, calligraphers, children, and scribblers, all around the world. Most people make asemic writing at some time, possibly when testing a new pen.<br /><br />Educators talk about children going through distinct stages of "mock letters", "pseudowriting" and so on, when they're learning to write. Many of us made asemic writing before we were able to write words.<br /><br />Looking at asemic writing does something to us. Some examples have pictograms or ideograms, which suggest a meaning through their shape. Others take us for a ride along their curves. We like some, we dislike others.<br /><br />They tend to have no fixed meaning. Their meaning is open. Every viewer can arrive at a personal, absolutely correct interpretation.<br /><br />Asemic writing has been presented by means of books, paintings, scrolls, single pages, mailed envelopes, walls, cinema, television and computers, particularly via the internet.<br /><br />Henri Michaux, who wrote the piece up above, was a poet and a writer and a painter.<br /><br />Asemic magazine is devoted to this area. Please check out:<br />#~1: <a href="http://www.deviantart.com/users/outgoing?http://xpressed.sdf-eu.org/asemicmag/amnotvol1.pdf">[link]</a><br /><br />#1: <a href="http://www.deviantart.com/users/outgoing?http://xpressed.sdf-eu.org/asemicmag/amvol21.pdf">[link]</a><br /><br />#2,1: <a href="http://www.deviantart.com/users/outgoing?http://xpressed.sdf-eu.org/asemicmag/amvol21.pdf">[link]</a><br /><br />#3: <a href="http://www.deviantart.com/users/outgoing?http://xpressed.sdf-eu.org/asemicmag/amvol3.pdf">[link]</a><br />Some of the artists' addresses have changed since publication.<br /><br />Asemic #4 is a 100 page perfect-bound book.<br />Price: $17.50 within Australia, $21.50 (Australian) outside Australia, including airmail delivery.<br />To order a copy, please send a cheque or money order in Australian dollars to Tim Gaze at:<br />P O Box 1011<br />Kent Town<br />SA 5071<br />Australia<br /><br />If youÂre curious to discover more works in this tradition of illegible writing or wordless writing, please try any of the following in your favourite search engine:<br /><br />abstract calligraphy<br /><br />asemic<br /><br />asemisk<br /><br />Guy de Cointet<br /><br />Concrete Poetry<br /><br />controlled scribble<br /><br />Jean Degottex<br /><br />Mirtha Dermisache<br /><br />doodles<br /><br />Christian Dotremont<br /><br />Jean Dubuffet dessins<br /><br />earliest writing<br /><br />Max Ernst Maximiliana<br /><br />escrita assÃªmica<br /><br />experimental calligraphy<br /><br />Gedewon<br /><br />Brion Gysin<br /><br />ideograms<br /><br />illegible writing<br /><br />Inism<br /><br />jazzwriting<br /><br />Marvin Jordana<br /><br />Kandinsky shamanism<br /><br />Tom Kemp<br /><br />Paul Klee<br /><br />Rashid Koraichi<br /><br />Kruchenykh Kruchonykh zaum<br /><br />Ungno Lee letter abstracts<br /><br />Lettrisme<br /><br />Mail Art<br /><br />AndrÃ© Masson automatic drawings<br /><br />Georges Mathieu<br /><br />Henri Michaux alphabets narrations<br /><br />Joan MirÃ³<br /><br />mock letters<br /><br />Morita Shiryu<br /><br />J B Murray J B Murry<br /><br />pseudowriting<br /><br />scrittura asemantica<br /><br />HÃ©lÃ¨ne Smith Martian<br /><br />Austin Osman Spare sigils<br /><br />Taoist magic diagrams<br /><br />Antoni T&#224<img src="http://e.deviantart.net/emoticons/w/winkrazz.gif" width="15" height="15" alt=";p" title="Wink/Razz" />ies<br /><br />Mark Tobey<br /><br />Cy Twombly<br /><br />Vin?a script<br /><br />Visual Poetry<br /><br />Made Wianta calligraphy period<br /><br />Ulfert Wilke<br /><br />Wosene Kosrof<br /><br />Zhang Xu Crazy Zhang wild cursive<br /><br />Compiled by Tim Gaze tg @ asemic.net<br />Hosted by HereNow Solutions<br />Kiitoksia Jukka-Pekka Kervinen<br />a "no frills" website<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>The Paradox Of Our Age by  The 14th Dalai Lama</title>
                <link>http://pathworking.deviantart.com/journal/28049251/</link>
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                <pubDate>Fri, 30 Oct 2009 16:15:51 PDT</pubDate>
                
                <description><![CDATA[ We have bigger houses but smaller families;<br /><br />More conveniences, but less time;<br /><br />We have more degrees, but less sense;<br /><br />More knowledge, but less judgment;<br /><br />More experts, but more problems;<br /><br />More medicines, but less healthiness;<br /><br />We've been all the way to the moon and back,<br /><br />but have trouble crossing the street to meet the new neighbour.<br /><br />We build more computers to hold more information to produce more copies than ever <br /><br />but have less communication.<br /><br />We have become long on quantity, but short on quality.<br /><br />These are times of fast foods but slow digestion;<br /><br />Tall men but short character;<br /><br />Steep profits but shallow relationships.<br /><br />It's a time when there is much in the window, but nothing in the room.<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>The Anangu Pitjantjatjara Yunkjantjatjara lands...</title>
                <link>http://pathworking.deviantart.com/journal/27801148/</link>
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                <pubDate>Fri, 16 Oct 2009 16:27:20 PDT</pubDate>
                
                <description><![CDATA[ After travelling Europe and walking faraway streets, i discovered a bittersweet yearning to understand the land of my home Australia more deeply. Upon returning, my gaze drifting up to the middle of Australia's map and to  red Desert Heart of Australia. <br />I concluded that i would teach in a remote Aboriginal Community.<br /><br />In 2008 i embarked upon a year contract in Fregon (Kaltjiti) community. It is situated in the far northwest corner of South Australia in the Pitjantjatjara Yankunytjatjara Lands; it is approximately 1300kms from Adelaide by road.<br /><br />In October 2009, I have returned to that Centre. <br />There was a pull, a feeling of things unfinished...<br />maybe of things not even begun...<br /><br />Similiarily to my Pathworkings in the South East of Australia,<br />most of these images are taken on walks with my dog friend<br />Maxi Jazz. It is a meditation of dusk and dawn.<br />The path i choose is simple.<br />What i seek is subtle.<br /><br />These are my pathworkings in this land...<br />With Love, Alexander.<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>little yellow spider</title>
                <link>http://pathworking.deviantart.com/journal/27331607/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/27331607/</guid>
                <pubDate>Mon, 21 Sep 2009 01:59:29 PDT</pubDate>
                
                <description><![CDATA[ i went out on a no-moon night a few nights ago.<br />It was a night of fishing with young, naive boys.<br />they killed and left dying many a fish in umpathic ways.<br />Twitching, I watched as life left too slowly and painfully.<br />A few nights earlier i stepped on a snail in the rain because i was tipsy.<br />it made me cry.<br />Today I met a Fox for the second time.<br />In the quietness we played, and both left our defenses at bay.<br />We shared the sweet winds,<br />and together we smiled.<br /><br />I've been playing this song, <br />and in some strange way it expresses <br />something hard to describe that is happening inside of me...<br /><br /><br />Little yellow spider, laughing at the snow<br />Well maybe that spider knows something that I don't know<br />'Cause I'm goddamn cold<br /><br />Little white monkey, staring at the sand<br />Well, maybe that monkey figured out something I couldn't understand<br />Who knows?<br /><br />Well, I came upon a dancing crab, and I stopped to watch it shake<br />I said, "Dance for me just one more time<br />Before you hibernate and you come out a crab cake"<br /><br />And hey there, little snapping turtle, snapping at a shell<br />Ah, there's mysteries inside, I know<br />But what they are I just can't tell for sure<br /><br />And hey ya, little baby crow, you're looking kind of mean<br />I think I oughta spit before you start letting off your steam<br />For sure<br /><br />And hey there, little sexy pig, you mated it with a man<br />And now you're got a little kid with hooves instead of hands<br /><br />And oh, all of the animals<br />All of the animals<br /><br />And hey there, little mockingbird, they sing about you in songs<br />Ah, where you been? Have you broke a wing?<br />I haven't heard you in so long<br /><br />And hey there, little albatross, swimming in the air<br />Ah c'mon, you know I can't fly<br />And I, I think we really oughta play fair<br /><br />And hey there, Mr. happy squid, you move so psychadelically<br />You hypnotize with your magic dance all the animals in the sea<br />For sure<br /><br />And oh, all of the animals<br />All of the animals<br /><br />And hey there, Mr. morning sun, what kind of creature are you?<br />I can't stare, but I know you're there<br />Goddamn, how I wish I knew<br /><br />And hey there, Mrs. lovely moon, you're lonely and you're blue<br />It's kind of strange, the way you change<br />But then again, we all do too <br /><br />'Little Yellow Spider' by Devendra Banhart<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>latin word list - the letter a</title>
                <link>http://pathworking.deviantart.com/journal/27159583/</link>
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                <pubDate>Fri, 11 Sep 2009 21:26:18 PDT</pubDate>
                
                <description><![CDATA[ excerpts from the Latin worklist.<br />Thankfully reproduced from:<br /><a href="http://www.deviantart.com/users/outgoing?http://www.math.ubc.ca/~cass/frivs/latin/latin-dict-full.html">[link]</a><br /><br />the letter A<br /><br />abbas abbatis : father / abbot. <br />abbatia : abbey, monastery. <br />abduco : to lead, or take away / detach, withdraw. <br />abeo : to go away, retire / depart from life, die. <br />abeo : to digress / change / vanish, disappear. <br />abscido : to cut off, to separate, take away. <br />absconditus : hidden, concealed. <br />absens, absentis : (adj.) absent, missing, away, gone. <br />absorbeo : to swallow, gulp down, carry away, engross. <br />absque : (+ abl.) without. <br />abstergo : to wipe off, clean away. <br />absum : to be absent, be away, be missing. <br />abundans : abundant, overflowing, abounding in. <br />abundantia : abundance, bounty, plenty <br />abutor : to make full use of, to abuse. <br />abutor : to use abusive language / use a word incorrectly. <br />ac : (atque) : and <br />accedo : to approach, come near / (things) to be added. <br />accendo : to kindle, illuminate, inflame. <br />acceptus : welcome, pleasant, agreeable. <br />accipio : to consider oneself indebted, receive, learn, take. <br />accommodo : to adjust, adapt, accommodate oneself. <br />accusator : accusor, plaintiff. <br />accuso : to accuse, blame, find fault with. <br />acer : sharp, keen, eager, severe, fierce. <br />acerbitas : harshness, bitterness. <br />acerbus : bitter, gloomy, dark. <br />acervus : a heap, mass. <br />acidus : sharp, sour. <br />acies : keenness, edge, sharpness, battle-line, battlefield. <br />acquiro : to acquire, gain, get, obtain. <br />acsi : as if, (Herimann p. 283, 293). <br />adamo : to fall in love with, find pleasure in. <br />adaugeo : to make greater, add, increase. <br />addo : to give, bring, place, / inspire, cause, / add, join. <br />adduco : to lead, induce, persuade. <br />ademptio: a taking away. <br />adeo : to such a point, such an extent, so far, so long. <br />adeo : to approach, visit, come to, undertake. <br />adeptio : attainment, obtaining. <br />adepto : to obtain, get, acquire. <br />adfectus affectus : (fr. adficio) : influenced, worked upon. <br />adfero affero : to cause, bring about, contribute. <br />adfero affero : to bring news, report / apply, bring to bear. <br />adficio : to affect, afflict, weaken, sap, exhaust, drain. <br />adflicto affligo : to injure, weaken, discourage, damage, break. <br />adhaero : to hang to, stick to, adhere. <br />adhuc : till then, till now, still, even now, besides, also, yet. <br />adicio : to direct, address, apply / to throw to. <br />adimpleo : to fulfill, perform. <br />adinventitias : (?) Herimann, cap 2. <br />adipiscor : to come up to, overtake, obtain. <br />adiuvo : to help, aid, assist. <br />administratio : giving of help, administration, government. <br />admiratio : wonder, astonishment, surprise, admiration. <br />admiror : to wonder at, admire, marvel at. <br />admitto : to admit, receive. <br />admoneo : admonish, advise. <br />admonitio : warning, reminder (insult - Herimann, p. 282). <br />admoveo : to move to, bring up, apply. <br />adnuo : to nod assent. <br />adopto : to wish for oneself, adopt, select, pick out. <br />adsidue assidue : continuously, without remission. <br />adstringo : (persons) bind, oblige, (+ refl.) commit oneself to <br />adstringo : to tight, compress, compact / <br />adstringo : to draw together, tighten, bind. <br />adsuesco assuesco : to grow accustomed to, used to, make familiar. <br />adsum : to assist, be present, be near, be in attendance, <br />adsumo (assumo) : to take to oneself, claim, appropriate, call. <br />adulatio : fawning, flattery, sycophancy, buttering up. <br />adulescens : young man, youth, lad. <br />adulescentia : youth <br />adultus : (adj.) grown up, mature, adult, of age. <br />aduro (adustum) : to set fire to, burn, singe, kindle, light. <br />advenio : to come, arrive, reach. <br />adversus : (prep. + acc.) toward, against, facing <br />adversus : (adj.) facing, opposite, opposing. <br />adverto : to turn towards, direct one's attention to, attract. <br />advoco : to summon, call / call in an advisor. <br />aedificium edificium : building, structure. <br />aeger eger : sick, ill. <br />aegre egre : (adv.) hardly, scarcely, with difficulty, laboriously. <br />aegresco egresco : to fall ill, become troubled, grow worse. <br />aegresco : to become ill, grow worse, be ill. <br />aegretudo egretudo : sickness, mental illness. <br />aegrotatio egrotatio : sickness, illness. <br />aegrus : ill, diseased, unwell. <br />aeneus eneus : made of copper or bronze, brazen. <br />aequitas equitas : justice, fairness, equity. <br />aequus, equus : level, even, calm, equal, favorable, just. <br />aer, aeris : air, atmosphere, ether, weather. <br />aestas estas : summer. <br />aestivus estivus : pertaining to summer. <br />aestus estus : h... ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>Journal</title>
                <link>http://pathworking.deviantart.com/journal/26643235/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/26643235/</guid>
                <pubDate>Mon, 17 Aug 2009 05:43:40 PDT</pubDate>
                
                <description><![CDATA[ Kate Bush:Hounds of Love 19/08/09<br /><br />"It's in the trees!<br />It's coming!"<br />When I was a child:<br />Running in the night,<br />Afraid of what might be<br />Hiding in the dark,<br />Hiding in the street,<br />And of what was following me...<br />the hounds of love are hunting me<br />I've always been a coward,<br />And I don't know what's good for me.<br />(Well) Here I go!<br />It's coming for me through the trees.<br />Help me, someone!<br />Help me, please!<br />Take my shoes off,<br />And (i will) throw them in the lake,<br />And I'll be<br />Two steps on the water.<br />I found a fox<br />Caught by dogs.<br />He let me take him in my hands.<br />His little heart,<br />It beats so fast,<br />And I'm ashamed of running away<br />From nothing real--<br />I just can't deal with this,<br />But I'm still afraid to be this,<br />Among your hounds of love,<br />And feel your arms surrounding me.<br />I've always been a coward,<br />I never know what's good for me.<br />(well),here I go!<br />Don't let me go!<br />Hold me down!<br />It's coming for me through the trees.<br />Help me, darling<br />Help me, please!<br />Take my shoes off<br />And throw them in the lake,<br />And I'll be<br />Two steps on the water.<br />I don't know what's good for me.<br />I don't know what's good for me.<br />I need la la la la la ya yo ya yo<br />Your love!<br />Take your shoes off<br />And throw them in the lake!<br />Do you know what I really need?<br />Do you know what I really need?<br />I need la la la la la yeah!<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>midnight.</title>
                <link>http://pathworking.deviantart.com/journal/25229670/</link>
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                <pubDate>Wed, 10 Jun 2009 05:16:52 PDT</pubDate>
                
                <description><![CDATA[ "...there is a budding morrow in midnight"...Keats<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>upon the winds</title>
                <link>http://pathworking.deviantart.com/journal/24816332/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/24816332/</guid>
                <pubDate>Mon, 18 May 2009 04:12:59 PDT</pubDate>
                
                <description><![CDATA[ Wisdom sitteth upon an hill, <br />and beholdeth the four winds, <br />and girdeth herself together <br />as the brightness of the morning; <br />which is visited with a few, <br />and dwelleth alone <br />as though she were<br />a widow.<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>Words of Power</title>
                <link>http://pathworking.deviantart.com/journal/24556225/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/24556225/</guid>
                <pubDate>Sat, 02 May 2009 21:54:10 PDT</pubDate>
                
                <description><![CDATA[ Thankyou Baerana Sabaco for posting your interests...<br />here is her labyrinth... <br /><br />My recommendation is to simply choose a word from the list below, highlght it, copy it, and paste into Wikipedia...<br /><br />May it take you further down the rabbit-hole...<br /> <br />Interests: aclu, activism, animal psychology, animal welfare, anime, anti-astrology, anti-diamonds, anti-pseudoscience, arcology, artificial intelligence, atheism, baerana, bdsm, bisexuality, biunity, bunnies, care bears, childfree, chronic paroxysmal hemicrania, civil liberties, cluster headaches, cognitive dissonance, cold reading, combinatorics, computer security, constitution, copyright reform, cowboy bebop, cph, crocheting, dementophobia, digital photography, dmca, douglas adams, dragons, eeyore, eff, equality for all, ethics, etymology, eugene tsui, eupraxsophy, f/oss, face blindness, fairy tales, fay welden, feminism, forensic psychology, forensics, free speech, frogs, futurama, geeks, gender studies, glbt issues, gnomes, gregory maguire, hacking, hayao miyazaki's films, heroes, house rabbits, humane treatment of animals, i â¥ >1, insomnia, internet law, jewerly making, john irving, kakapo, kurt vonnegut, law, lego, libraries, limited government, linux, little known holidays, logic, mad housers, margaret atwood, memetics, metaculture, microexpressions, mind hacks, moleeds, mythology, nabaztag, nabaztag/tag, neologisms, obscure trivia, opensource, organizing, origami, pancake bunny, pareidolia, patent reform, penguins, philosophy, phosphenes, polyamory, pomosexuality, post-traumatic stress disorder, pressed pennies, privacy, pro-choice, proprioception, prosopagnosia, psychology, rabbit welfare, red dwarf, religion, richard feynman, riddles, robots, role-playing games, same-sex marriage legislation, sapiosexuality, science fiction, scientific method, scrubs, secular humanism, security, server administration, sexuality, skepticism, social engineering, sociology, sock animals, subcultures, taoism, tattoos, the far side, the power of and, the princess bride, the supreme court, they might be giants, tivo, tom robbins, toy<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>explaining the unexplainable for my love</title>
                <link>http://pathworking.deviantart.com/journal/23741129/</link>
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                <pubDate>Tue, 17 Mar 2009 04:40:19 PDT</pubDate>
                
                <description><![CDATA[ I stand upright and stillÂfocussing just upon the candle flame; breathing slowlyÂ<br />I light a stick of incense, and I raise both hands above me in prayer, as high as I can over my headÂ<br />At the tips of my fingers, and far above me, I visualise a light; one light: like the warmest star.<br />I reach up for itÂmy breath held on its edge as I extend my hands up towards it.<br />With my voice beckoning with a timeless song, I call out with one full breath:<br />ÂAh Toh!Â<br />This is Hebrew; it means ÂThine IsÂÂ<br />As I slowly breathe out and with regulated will, I draw the light from high above me, down through my bodyÂ<br />Till my hands point down through the soles of my feet to the depths belowÂ<br />I have created a vertical line of infinite length that travels through my bodyÂ<br />From the big unknown, from the skies above; to the crown of my head, through my body, to the soles of my feet; <br />and deep into the earths centre below.<br />I sing out with one descending intonation: ÂMal KuthÂ<br />This means: ÂThy KingdomÂ<br />I rest for a moment; feeling this power of infinite length extending above and below me...<br />It pulses, backwards and forwards ever so quickly.<br />With my breath, it seems to change its rhythm as though electric and aliveÂ<br />My body pulses and races like a conduit: it too feels the powerÂ<br />Above me is the light, below me is the darknessÂmy centre is a mediator of polesÂ<br />As I breath in, the ray of light that has fallen to my feet, rushes up my body like the ocean tide, <br />drawing in, it comes to rest at the gateway of my heartÂ<br />My heart awakens as it is nourished by the three virtues of  ÂlightÂ, ÂbreathÂ,  and ÂwillÂ; <br />Here they all move togetherÂ<br />This is a type of bliss my loveÂ<br />I extend both my hands outwards as though crucified, and I direct the light from my heart out through my right hand, through the tip of my middle finger, and I see it extending as far as I can upon the horizon on my right sideÂ<br />I sing out with my breath: ÂVeh Geh Buh RahÂ<br />This means: ÂThy StrengthÂ<br />With my intention, and the drawing in of my breath, I direct the light now from the furtherest point on my right side, back through my arm and to my heartÂ.momentarily it rests here at my centre, until, with my exhalation, it travels on, through my left arm, and the tip of my left middle finger, to where it extends as far as I can again upon the infinite left horizonÂ<br />I sing out ÂVeh Geh Duh LahÂ with my outbreath.<br />This means: ÂThy MercyÂ<br />The light rushes back again like the oceans tide as I breathe in, and it comes to rest in the centre of my heart.<br />My body has become a Cross of Light.<br />I feel the light as it gathers and twirls; alive and radiant in my centre;<br />I cross my hands over my heart, hand over hand, recognising and cherishing <br />This holy moment; this ever so gentle yet powerful force.<br />As I breathe out, the light moves from my heart, from in front of my body; extending infinitely outwards like ÂtimeÂÂ<br />As I breath in, it travels back through my chest, and infinitely outwards from behind meÂ<br />I sing out ÂLeOlamÂ<br />This means: ÂForeverÂ<br />My body has become an axis of length by breadth by depth and they all intersect at my centre, upon my heart.<br />I stand, as a being who has become a crossroadsÂ.<br />the universe seems to stop; a quietness comesÂ<br />I come to rest in my centre.<br />As I breathe out for the last time with my hands still cupped and the three intersecting rays meeting at my heart,<br />I sing ÂAmenÂ. I come now to finish my meditation, and I vow to carry its peace with me throughout my day.<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>The Virgin Universe</title>
                <link>http://pathworking.deviantart.com/journal/21590747/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/21590747/</guid>
                <pubDate>Fri, 21 Nov 2008 00:01:28 PST</pubDate>
                
                <description><![CDATA[ "And the poets have feigned songs about her, and the prophets have spoken vain things, and the young men have dreamed vain dreams: but this is she, that immaculate, the name of whose name may not be spoken. Thought cannot pierce the glory that defendeth her, for thought is smitten dead before her presence. Memory is blank, and in the most ancient books of Magick are neither words to conjure her, nor adorations to praise her. Will bends like a reed in the tempests that sweep the borders of her kingdom, and imagination cannot figure so much as one petal of the lilies whereon she standeth in the lake of crystal, in the sea of glass."<br /><br />Aleister Crowley: from 'The Book of Thoth'.<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>10 000 Days</title>
                <link>http://pathworking.deviantart.com/journal/20885386/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/20885386/</guid>
                <pubDate>Wed, 08 Oct 2008 06:41:17 PDT</pubDate>
                
                <description><![CDATA[ Listen to the tales and romanticize,<br />How we'd follow the path of the hero.<br />Boast about the day when the rivers overrun.<br />How we rise to the height of our halo.<br /><br />Listen to the tales as we all rationalize<br />Our way into the arms of the savior,<br />Feigning all the trials and the tribulations;<br />None of us have actually been there.<br />Not like you.<br /><br />Ignorant siblings in the congregation<br />Gather around spewing sympathy,<br />Spare me.<br />None of them can even hold a candle up to you.<br />Blinded by choice, these hypocrites won't see.<br /><br />But, enough about the collective Judas.<br />Who could deny you were the one who<br />Illuminated your little piece of the divine?<br /><br />And this little light of mine, a gift you passed on to me;<br />I'm gonna let it shine to guide you safely on your way,<br />Your way home ...<br /><br />Oh, what are they going to do when the lights go down<br />Without you to guide them all to Zion?<br />What are they going to do when the rivers overrun<br />Other than tremble incessantly?<br /><br />High is the way, but all eyes are upon the ground.<br />You were the light and the way they'll only read about.<br />I only pray, Heaven knows when to lift you out.<br />Ten thousand days in the fire is long enough;<br />You're going home.<br /><br />You're the only one who can hold your head up high,<br />Shake your fists at the gates saying:<br />"I've come home now!<br />Fetch me the spirit, the son, and the father.<br />Tell them their pillar of faith has ascended.<br />It's time now!<br />My time now!<br />Give me my, give me my wings!"<br /><br />You are the light and way that they will only read about.<br /><br />Set as I am in my ways and my arrogance,<br />(With the) burden of proof tossed upon the believers.<br />You were my witness, my eyes, my evidence,<br />Judith Marie, unconditional one.<br /><br />Daylight dims leaving cold fluorescents.<br />Difficult to see you in this light.<br />Please forgive this bold suggestion, but<br />Should you see your Maker's face tonight,<br />Look Him in the eye, look Him in the eye, and tell Him:<br />"I never lived a lie, never took a life, but surely saved one.<br />Hallelujah, it's time for you to bring me home."<br /><br />Tool lyrics to '10 000 days'.<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>'Love' by Kahil Gibram</title>
                <link>http://pathworking.deviantart.com/journal/20696558/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/20696558/</guid>
                <pubDate>Fri, 26 Sep 2008 23:09:19 PDT</pubDate>
                
                <description><![CDATA[ 'Love' an excerpt from 'The Prophet' by Kahil Gibram...<br /><br />Then said Almitra, "Speak to us of Love." <br />And he raised his head and looked upon the people, and there fell a stillness upon them. <br />And with a great voice he said: <br />When love beckons to you follow him, <br />Though his ways are hard and steep. <br />And when his wings enfold you yield to him, <br />Though the sword hidden among his pinions may wound you. <br />And when he speaks to you believe in him, <br />Though his voice may shatter your dreams as the north wind lays waste the garden. <br />For even as love crowns you so shall he crucify you. Even as he is for your growth so is he for your pruning. <br />Even as he ascends to your height and caresses your tenderest branches that quiver in the sun, <br />So shall he descend to your roots and shake them in their clinging to the earth. <br />Like sheaves of corn he gathers you unto himself. <br />He threshes you to make you naked. <br />He sifts you to free you from your husks. <br />He grinds you to whiteness. <br />He kneads you until you are pliant; <br />And then he assigns you to his sacred fire, that you may become sacred bread for God's sacred feast. <br />All these things shall love do unto you that you may know the secrets of your heart, and in that knowledge become a fragment of Life's heart. <br />But if in your fear you would seek only love's peace and love's pleasure, <br />Then it is better for you that you cover your nakedness and pass out of love's threshing-floor, <br />Into the seasonless world where you shall laugh, but not all of your laughter, and weep, but not all of your tears. <br />Love gives naught but itself and takes naught but from itself. <br />Love possesses not nor would it be possessed; <br />For love is sufficient unto love. <br />When you love you should not say, "God is in my heart," but rather, I am in the heart of God." <br />And think not you can direct the course of love, if it finds you worthy, directs your course. <br />Love has no other desire but to fulfil itself. <br />But if you love and must needs have desires, let these be your desires: <br />To melt and be like a running brook that sings its melody to the night. <br />To know the pain of too much tenderness. <br />To be wounded by your own understanding of love; <br />And to bleed willingly and joyfully. <br />To wake at dawn with a winged heart and give thanks for another day of loving; <br />To rest at the noon hour and meditate love's ecstasy; <br />To return home at eventide with gratitude; <br />And then to sleep with a prayer for the beloved in your heart and a song of praise upon your lips.<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>I Hope</title>
                <link>http://pathworking.deviantart.com/journal/20630219/</link>
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                <pubDate>Tue, 23 Sep 2008 04:57:15 PDT</pubDate>
                
                <description><![CDATA[ I hope you understand what fear is before you have to feel it.<br />I hope my neurosis don't rub off on you.<br />I hope you always have enough to eat.<br />I hope you're never bullied and I hope you never bully others.<br />I hope you find love.<br />I hope you don't die before your time.<br />I hope you don't blame yourself for things that are not your fault.<br />I hope you're always playing your tape and I hope you'll visit me when I'm old.<br />I hope you are true to yourself.<br />I hope that rejection doesn't stop you loving.<br />I hope you never experience war.<br /><br />What, are you come to teach me?<br />Well, would you want &#039<img src="http://e.deviantart.com/emoticons/w/winkrazz.gif" width="15" height="15" alt=";P" title="Wink/Razz" />hilosophy' or 'The New Wayne Rooney' ?<br />Will it be poetry that lights your eyes?<br />Mine are shining and my tears flow free...<br />Oh my son, what have I done?<br />Brought perfection to this world of confusion heedlessly...<br />Now you're the one feeding me,<br />Because I never knew love like this, endlessly reaching back through eternity that I can clearly see in your face when you smile at me and grab my finger.<br /><br />I hope you outlive your parents.<br />I hope you never bury your children.<br /><br />I hope you outlive your parents.<br />I hope you never bury your children.<br />I don't mind whether you're a boy or a girl, I just want you to be healthy.<br />I hope we enjoy every minute of you growing up.<br />I hope you lead your world to victory. <br /><br />'I Hope' Lyrics by Faithless, from the album 'To All New Arrivals'.<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>sour grapes</title>
                <link>http://pathworking.deviantart.com/journal/20364676/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/20364676/</guid>
                <pubDate>Sat, 06 Sep 2008 20:37:23 PDT</pubDate>
                
                <description><![CDATA[ And the angel of the lord led me<br />Into the belly of the holy mother<br />A chamber black as pitch<br />But I felt no fear, only comfort,<br /><br />For I was as a child in the womb<br />And she begged me<br />"Hear through yonder portal<br />Which looked upon the heavens,<br />And behold! a morning angel"<br /><br />[Hal-le-lu-jah!]<br /><br />She ascended slowly from far beyond the horizon,<br />Her light like a heavenly finger pointing the way<br />And on yonder wall she traced for me a path<br />Which led me five directions, eight winters to east,<br /><br />[Hal-le-lu-jah!]<br /><br />And behold!<br />As my feet landed firmly<br />Upon the vital winter of the second storm<br />There appeared before me a heavenly star<br /><br />[Hal-le-lu-jah!]<br /><br />A holy virgin, the bringer of life and breath<br />And she spoke unto me saying<br />"Fear not the movement of the heavens above or the earth below<br />For change is what we are, my child.<br /><br />[Hal-le-lu-jah!]<br /><br />Righteous are those<br />Who look up and sway with the wind,<br />Who look down and dance with the shifting of the soil,<br />Who swim with the movement of the tides<br /><br />[Hal-le-lu-jah!]<br /><br />Who seek the truth around them<br />And discover that we are<br />And have always been in paradise.<br />The reflections of heaven on earth. Amen!'<br /><br />[Hal-le-lu-jah!]<br /><br />And she spoke again saying<br />"Know, my child,<br />That there is no devil seeking<br />To cause guilt nor harm to men.<br /><br />[Hal-le-lu-jah!]<br /><br />No evil, save blind faith, ignorance,<br />And the desire for the unprepared<br />To blame others for the devastation<br />Left in the wake of change<br /><br />[Hal-le-lu-jah!]<br /><br />Change, my child<br />Change is in the heavens<br />Change is on this earth<br />Change is all around us<br /><br />[Hal-le-lu-jah!]<br /><br />And if we<br />Are reflections of the divine<br />We must roll with these changes,<br />For we are these changes.<br /><br />[Hal-le-lu-jah!]<br /><br />Eyes wide open,<br />We must look upon<br />The heavens as a mirror.<br />Wide awake, aware, deeply breathing<br /><br />[Hal-le-lu-jah!]<br /><br />And when the shit comes down, my child,<br />You will be there,<br />A true and holy survivor<br />To inherit the kingdom of god.<br /><br />[Hal-le-lu-jah!]<br /><br />You will rise above the rumbles of the unprepared<br />To greet the new day,<br />To drink from the sweet fruit of the vine,<br />The water of life, the blood of the risen Christ, my child.'<br /><br />[Je-ho-vah! Yah-weh!]<br /><br />'Go now, son,<br />Tell them all.<br />The ignorant, the blind paw by dogma,<br />Blinded by faith, the doubters, the nay sayers.<br /><br />[Je-ho-vah! Yah-weh!]<br /><br />Tell them all, child,<br />They can not see<br />The kingdom of God,<br />They can not see paradise<br />Unfold before them<br /><br />[Je-ho-vah! Yah-weh!]<br /><br />They can not drink<br />From the chalice<br />Which holds the blood of Christ,<br />The water of life,<br />Until they get right with Jesus.<br /><br />[Je-ho-vah! Yah-weh!]<br /><br />Until they get right with Jesus.<br />It's always gonna be<br />Sour grapes with you, boy,<br />Until you get right with Jesus. Amen!<br /><br />[Je-ho-vah! Yah-weh!]<br /><br /><br />'sour grapes' from the album 'V is for Vagina' by Puscifier.<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>Arriving Somewhere But Not Here</title>
                <link>http://pathworking.deviantart.com/journal/20228677/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/20228677/</guid>
                <pubDate>Sat, 30 Aug 2008 01:00:56 PDT</pubDate>
                
                <description><![CDATA[ Arriving Somewhere But Not Here<br /><br />Never stop the car on a drive in the dark<br />Never look for the truth in your mother's eyes<br />Never trust the sound of rain upon a river<br />Rushing through your ears<br /><br />Arriving somewhere but not here<br /><br />Did you imagine the final sound as a gun?<br />Or the smashing windscreen of a car?<br />Did you ever imagine the last thing you'd hear as you're fading out was a song?<br /><br />All my designs, simplified<br />And all of my plans, compromised<br />All of my dreams, sacrificed<br /><br />Ever had the feeling you've been here before?<br />Drinking down the poison the way you were taught<br />Every thought from here on in your life begins<br />And all you knew was wrong?<br /><br />Did you see the red mist block your path?<br />Did the scissors cut a way to your heart?<br />Did you feel the envy for the sons of mothers tearing you apart?<br /><br /><br />From the album 'Deadwing' by Porcupine Tree.<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>a question for you?</title>
                <link>http://pathworking.deviantart.com/journal/20159833/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/20159833/</guid>
                <pubDate>Tue, 26 Aug 2008 01:59:18 PDT</pubDate>
                
                <description><![CDATA[ I've been contemplating a way of illustrating the four elements in the four corners of a square, and yet there seem to be so many contradictory and opposing views as to their correct assignment.Interesting, on page 63 of Crowley's 'The Book of Thoth', he says:<br /><br />"One must constantly keep in mind the bivalence of every symbol. Insistence upon either one or other of the contradictory attributions inherent in a symbol is simply a mark of spiritual incapacity; and it is constantly happening, because of prejudice. It is the simplest test of initiation that every symbol is understood instinctively to contain this contradicory meaning in itself. Mark well the passage in 'The Vision and the Voice', page 136:<br /><br />"It is shown me that this heart is the heart that rejoiceth, and the serpent is the serpent of Da'ath, for herein all the symbols are interchangeable, for each one containeth in itself its own opposite. And this is the great mystery of the Supernals that are beyond the Abyss. For below the Abyss, contradiction is division, but above the Abyss, contradiction is Unity. And there could be nothing true except by virtue of the contradiction that is contained in itself."<br /><br />Hmmm...any ideas as how to represent such a paradox?<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>Devious Journal Entry</title>
                <link>http://pathworking.deviantart.com/journal/20122016/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/20122016/</guid>
                <pubDate>Sat, 23 Aug 2008 23:12:23 PDT</pubDate>
                
                <description><![CDATA[ Tonight, I'll Spend The Night In Mona Lisa's Bed<br />She'll Hide This Beaten Man Beneath Her Innocence<br />Tonight No Dream's Denied In Mona Lisa's Mind<br />We'll Ride A Drowning World Through The Cold Black Sky<br />Mona Lisa, Mother Earth<br />Mona Lisa, Mother Earth<br />My Mind's An Ocean In Mona Lisa's Hand<br />She Dreams A Hiding World Where The Water Runs Red<br />Tonight My Dreams Are Born On Mona Lisa's Breast<br />We'll Walk A Burning World Where The Sun Shines Darkness<br />Mona Lisa, Mother Earth<br />Mona Lisa, Mother Earth<br /><br />The Swans: Mona Lisa, Mother Earth<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>Devious Journal Entry</title>
                <link>http://pathworking.deviantart.com/journal/20119937/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/20119937/</guid>
                <pubDate>Sat, 23 Aug 2008 20:27:31 PDT</pubDate>
                
                <description><![CDATA[ <br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>Heartbeat</title>
                <link>http://pathworking.deviantart.com/journal/19996437/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/19996437/</guid>
                <pubDate>Sat, 16 Aug 2008 23:20:14 PDT</pubDate>
                
                <description><![CDATA[ I see the lines in the palm of its hand now<br />I listen hard but no words spring to mind<br />And it sounds so sweet, listen to its heartbeat<br />And I'm drowning in its sea<br />Falling at its feet<br />Listen to my heartbeat baby<br /><br />And the blood sail leaves tonight<br />Fated in its blindness<br />And it won't be long before help is at hand<br />And the darkness sleeps<br />Cushioning the heartbeat<br />And I killed the captain, sank the fleet<br />To liberate the heartbeat baby<br />And it sounds so sweet<br />And it sounds so sweet<br />Listen to our hearts beat<br /><br />And the darkness sleeps<br />Cushioning the heartbeat<br />And I'm drowning in its sea<br />Falling at its feet<br />Listen to my heartbeat baby<br /><br />It speaks to ghosts and souls alike<br />Springs to life, and doesn't think twice<br />Wrapped in the blood sail<br />Bathed in snow<br />Nailed to the source and it won't let go<br />Fed on the bible, grown from trees<br />It opened the mind and the heart was free<br />A home in the silence, safe from sound<br />Where trouble sleeps and the light is found<br /><br />'Heartbeat' by David Sylvian from the album 'Everything and Nothing'.<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>Voyage Of Bran</title>
                <link>http://pathworking.deviantart.com/journal/19867133/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/19867133/</guid>
                <pubDate>Sat, 09 Aug 2008 18:30:00 PDT</pubDate>
                
                <description><![CDATA[ Father father<br />Can you tell me<br />Where the hours go<br />Where time flows ?<br />It is written in the stars<br />Upon the milky way<br />That we must burn bright<br />Before we fade away ?<br /><br />Mother mother<br />Can you tell me<br />Where the fire goes<br />When the flames cease ?<br />"From the ashes to the astral plain<br />Where the setting sun meets the sea, Brendan"<br /><br />I live by the river<br />Where the old gods still dream<br />Of inner communion<br />With the open sea<br /><br />Through the eye of the hunter<br />In search of a prey<br />Neither beast nor human<br />In my philosophy<br /><br />If you don't recognise me<br />Well it's simply because<br />I've outgrown these old clothes<br />Time to move on<br /><br />For you and I will outlive<br />The masks life gave us<br />When this shadowplay comes<br />To a close<br /><br />'Voyage of Bran' from the album 'Eye of the Hunter' by Brendan Perry<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>Dust Devils</title>
                <link>http://pathworking.deviantart.com/journal/19764813/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/19764813/</guid>
                <pubDate>Mon, 04 Aug 2008 05:39:23 PDT</pubDate>
                
                <description><![CDATA[ 'In the Wind arises the turbulence called I.<br />It breaks; down shower the barren thoughts.<br />All life is choked.<br />This desert is the Abyss <br />wherein is the Universe.<br />The Stars are but thistles in that waste.<br />Yet this desert is but one spot accursed <br />in a world of bliss.<br />Now and again Travellers cross the desert;<br />they come from the Great Sea,<br />and to the Great Sea they go.'<br /><br />Aleister Crowley from 'The Book of Lies'.<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>A New Word For You</title>
                <link>http://pathworking.deviantart.com/journal/19069237/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/19069237/</guid>
                <pubDate>Fri, 27 Jun 2008 04:45:34 PDT</pubDate>
                
                <description><![CDATA[ A New Word For You...'Irrealism'.<br /><a href="http://en.wikipedia.org/wiki/Irrealism_%28the_arts%29">[link]</a><br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>Please show me something New....</title>
                <link>http://pathworking.deviantart.com/journal/19013499/</link>
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                <pubDate>Tue, 24 Jun 2008 03:53:50 PDT</pubDate>
                
                <description><![CDATA[ Please show me something New....<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>Devious Journal Entry</title>
                <link>http://pathworking.deviantart.com/journal/19013493/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/19013493/</guid>
                <pubDate>Tue, 24 Jun 2008 03:52:54 PDT</pubDate>
                
                <description><![CDATA[ <br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>The Star.</title>
                <link>http://pathworking.deviantart.com/journal/18825019/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/18825019/</guid>
                <pubDate>Fri, 13 Jun 2008 17:15:28 PDT</pubDate>
                
                <description><![CDATA[ The Star<br />In my rendition of  ÂThe StarÂ Tarot card, my primary source of symbolic meaning was derived through interpreting CrowleyÂs commentary on the representation of Nuith; ÂOur Lady of the StarsÂ. Fittingly, the young girl in my card is named Celeste. <br /><br />Within the card itself, a subtle seven pointed Heptagram of Venus frames the young girls crown, and through its centre emanate rays of light unto the universe representing the light and love of life. It also represents the seven planets of traditional astrology. Surrounding her face and chest are ancient star-maps from around the world, whirling in a vortex to symbolize the collective thoughts and struggles of humanity to understand the cosmos. Superimposed over CelesteÂs face are Egyptian hieroglyphic figures, as is to protect and remind us of the sacredness of our bodily senses and openings.  Over CelesteÂs heart centre is the stylized Humming-bird geo-glyph from the Nazca lines.  <br />Her eyes are closed; as if in prayer, dreaming, or making a wishÂ.Her closed eyes serve to remind us, that ÂtravelÂ does not have to be a third-dimensional endeavor. In ÂThe StarÂ card, we are encouraged to consider ways of thinking and feeling that challenge the construct of limitations. Here, the concept of inner-space and outer-space are reconciled as our illusion of separateness, shimmers before dissolving. <br />Celeste is holding her breath and on the verge of blowing the fragile seeds of the dandelion flower unto the night; each of its seeds will float into the unknown, and yet all are filled with life. ÂThe StarÂ card reminds us that every thought and act we do has life, and can be linked with purpose, aspiration, hope, and consciousness. <br /><br />Humorously, the geometry of the dandelion flower reminded me of the newest developments in Particle Physics, and the monstrous electronic particle detecting machines that are now attempting to understand the nature of reality. It is interesting to note how much of humanities constructions unconsciously reflect NatureÂs perfectionÂand like the dandelions fragility, how Âour lady of the starsÂ could but through one breath, blow the rigidity of our mechanistic thinking away. ÂThe StarÂ card reminds us of &#145<img src="http://e.deviantart.com/emoticons/w/winkrazz.gif" width="15" height="15" alt=";p" title="Wink/Razz" />erspectiveÂ, and Âthe eternal renewal of all categories, the inexhaustible possibilities of existenceÂ.<br /><br />I found it to be a wonderful contemplation and challenge to interpret CrowleyÂs description of the Âdoctrine which asserts that the blindness of humanity to all the beauty and wonder of the Universe is due to this illusion of straightnessÂ. Here, I was challenged to break through my natural affinity with geometric form and explore the curve. This is illustrated through bending the subtle Âflower-of-lifeÂ tapestry in the night sky and reflecting the stars in the rippling of the water. CelesteÂs hair also defies gravity and order and weaves in a seemingly haphazard manner. This is contrasted against the many straight threads of light that link her to the stars. Symbolically, if we relate these threads of hair to pathways of travel, we are reminded that time is relative, and the prospect of such fantastic ideas such as the bending of space and time may in fact, be possible. It may also stimulate contemplation about Âways of beingÂ that one is naturally unfamiliar withÂand that life beyond our solar system may be governed by completely un-thought of elements.<br /><br />The stars themselves are like slowly turning wheels: above Celeste is the southern star map, and reflected in the water below her feet is the northern star map.  Framing her feet is the Hebrew letter ÂHehÂ like an oriental gateway, eluding to the possibility that our bodies are akin to doorways; and that spirit  and the influence of the cosmos constantly move through usÂ<br /><br />Directly overhead is the bright star of ÂSiriusÂ. As the Wiki-pedia article points out: ÂThe heliacal rising of Sirius marked the flooding of the Nile in ancient EgyptÂ and the renewing of EgyptÂs fertility. Written in the stars around Sirius is a geometric rendition of the name of the Egyptian goddess ÂSopdetÂ. Her relationship with both renewal, fertility, and the star-system is of key importance. The African Dogon-tribe sand glyph of the Sirius system can also be seen subtly rising up to meet Sirius.<br /><br />Finally, the traditional astrological association of Aquarius is rendered geometrically, and like the water she treads, ripples under ÂOur Lady of the StarsÂ feet.<br /><br />The Star card could go on forever with symbolic interpretations. It has been a long journey to get here. Our ÂLady of the StarsÂ is definitely a work in progress, but as for now I shall let her rest. <br /><br />I would like to thank the practicing magician and writer Donald Tyson for his communication with... ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>The Lord of Illusion</title>
                <link>http://pathworking.deviantart.com/journal/17646699/</link>
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                <pubDate>Wed, 02 Apr 2008 06:27:03 PDT</pubDate>
                
                <description><![CDATA[ think this is beautifully visionary and would make great art: 'the Book of Thoth' by Aleister Crowley....<br /><br />'And now in the midst of the Aethyr, I behold that god. He hath a thousand arms, and in each hand is a weapon of terrible strength. His face is more terrible than the storm, and from his eyes flash lightnings of intolerable brilliance. From his mouth run seas of blood. Upon his head is a crown of every deadly thing. Upon his forehead is the upright Tau, and on either side of it are signs of blasphemy. And about him clingeth a young girl, like unto the King's daughter that appeared in the ninth Aethyr. But she is become rosy by reason of his force, and her purity hath tinged his black with blue. <br />They are clasped in a furious embrace, so that she is torn asunder by the terror of the god; yet so tightly clingeth she about him, that he is strangled. She hath forced back his head, and his throat is livid with the pressure of her fingers. Their joint cry is an intolerable anguish; yet it is the cry of their rapture, so that every pain, and every curse, and every bereavement, and every death of everything in the whole universe, is but one little gust of wind in that tempest-scream of ecsatcy.<br /><br /> ]]></description>
                <author>*pathworking</author>
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                <title>Audio Inspirations...</title>
                <link>http://pathworking.deviantart.com/journal/17583470/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/17583470/</guid>
                <pubDate>Sun, 30 Mar 2008 03:35:15 PDT</pubDate>
                
                <description><![CDATA[ My Musical Hard Drive So Far:<br />Afro Celt Sound System, Amon Tobin, Angels of Light, Antony and the Johnsons, A Perfect Circle, Asura, Banco do Gaia, Ben Harper,  Beth Gibbons, Bill Laswell, Bjork, Bluetech, Bob Marley,  Carla, Cocteau Twins, Conjure One,  Cream, Credence Clearwater Revival, CyberTribe, Damian Rice, David Gray, David Sylvian, Dead Can Dance,  Deep Purple, Deftones, Depeche Mode, Diana Krall, Dirty Three, Divinations, Doors, Dredg, Endorphin, Enigma, Eric Clapton, Eva, Faithless, Fleetwood Mac, Freddie Mercury, Ganga Giri, Gnarles Barkley, Groove Armada, Guns n Roses, Heather Nova, Hoover, Icehouse, INXS,  Jeff Buckley, Jeff Martin, Jimi Hendrix, John Lennon, Johny Cash, Joni Mitchell, Julie Cruise, Kate Bush, KD Lang, King Crimson, Ladysmith Black Mambazo, Led Zepellin, Leonard Cohen, Lisa Gerrard, Live, Lou Rhodes, Manu Chao, Massive Attack, Mazzy Star, Medicine Drum, Mercury Rev, Metallica, Michael Franti,  Michael Jackson, Mika, Miles Davis, Ministry, Moby, Mogwai, Morphine, Mum, Muse, Mystical Sun, Neil Young, Netta Yaschin, Nick Cave, Nick Drake,  Nine Inch Nails, Nirvana, Nitin Sawhney, Norah Jones, Nusrat Fateh Ali Khan, Omnimotion, Opeth, Opus Dai, Paul Horn,  Paul Oakenfold, Pendulum, Pigface, Pink Floyd, Placebo, Platipus Records, Popol Vuh, Portishead, Prince, Pulp, Puscifier, Queen, Queens Of The Stoneage, Radiohead, RATM, Ray Charles, RealWorld, RHCP, Return To The Source, Rishloo, Robert Plant, Roxette, Ruby, Sade, Sasha, Scorn, Shulman, Sia, Sigur Ros, Sinead O Conner, Slava Grigoryan, Sneakerpimps, Snog, Solarfields, Sonkite, Sphongle, Sub Arachnoid Space, Talvin Singh, The Cure,  The Smashing Pumpkins,  The Tea Party,  Tool, Tori Amos, Transglobal Underground, U2, Unionjack, Vast, Woob, Yes, Younger Brother.<br /><br /> ]]></description>
                <author>*pathworking</author>
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          <item>
                <title>Welcome to Here....Part1</title>
                <link>http://pathworking.deviantart.com/journal/17583456/</link>
                <guid isPermaLink="true">http://pathworking.deviantart.com/journal/17583456/</guid>
                <pubDate>Sun, 30 Mar 2008 03:32:35 PDT</pubDate>
                
                <description><![CDATA[ Welcome to Here. My name is Alexander Keith Dunton, and I have created the Artworks within this Deviant Art Space. Primarily, my artwork is created through Photography, Adobe Photoshop, and Apophysis. <br />The inspiration for my artwork comes from the Source and<br />through my exploration of Kabbalah, Mystery schools,<br />and various Mystic Modalities.<br /><br />Our lives are the greatest mysteries, and I believe that<br />it is our personal responsibility to fathom the depths <br />and aspire to the heights of our being.<br /><br />As an Artist, I serve to remind us All that Life is Multi-Dimensional.<br />It is part of my Pathworking to open myself to the reality  <br />of these many realities....and to share a little with you.<br /><br />Please enjoy the Imagery, and leave a comment to<br />ignite the Flame of Mystery....<br /><br />Love, Alexander.<br /><br /> ]]></description>
                <author>*pathworking</author>
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